Tauchnitz Editions sold for around the equivalent of 1s 6d, certainly much cheaper than the typical 7s 6d price for a hardback in the UK in the 19th century, but they were not exactly cheap paperbacks. In the UK paperbacks rarely sold for more than 6d, even for much of the first half of the twentieth century, and were often more like 3d or 4d.
Although the Tauchnitz Editions were mostly sold as paperbacks, the expectation was that many of them would be privately bound and so the quality of the paper, the printing and the binding had to be consistent with this. They had a delicate balance to strike between quality and price – not such high quality that they were too expensive to be bought as paperbacks, but sufficiently high to be privately bound and last for hundreds of years.
But doesn’t every publisher dream of being able to escape from the constraints of price and produce higher quality editions? Tauchnitz certainly did, and the result was a very short series of gift books, known as the ‘Cabinet Edition of English Classics’, starting in 1862.
Two of the volumes, ‘Childe Harold’s Pilgrimage’ by Byron, and ‘The lady of the lake’ by Walter Scott, were lengthy narrative poems that had already been published by Tauchnitz as part of larger volumes of poetry. The other two were Shakespeare plays, ‘Hamlet’ and ‘Romeo and Juliet’, available both as individual plays and as part of longer volumes. So all four were already sold by Tauchnitz, and at much cheaper prices. Here each is extracted to form a small gift-book on its own and is given a cloth binding with both gilt and blind-stamped decoration, an engraved frontispiece, higher quality paper and all edges gilded. Everything needed for them to appear like an attractive gift or keepsake.
There is little information on the series in the Tauchnitz bibliography by Todd & Bowden, partly because the authors were able to find just a single copy of two of the books and no copy at all of the other two. This no doubt partly reflects the low numbers produced and the even lower numbers now surviving, but also probably that being unlike most other Tauchnitz editions, they are rarely found in the standard Tauchnitz collections. They are undoubtedly rare, but perhaps not as rare as the evidence of the bibliography would suggest. There are now copies of all four in my own collection, and I have seen evidence of several other copies.
The evidence of the copies I have, contradicts the numbering and the dates assigned to them by Todd & Bowden. The books themselves are not numbered, but the bibliography gives ‘The lady of the lake’ precedence over ‘Hamlet’ on the incorrect assumption that they were published in 1862 and 1863 respectively. In practice the dates were the other way round, so that ‘Hamlet’ was one of the first two volumes, together with ‘Childe Harold’. The final volume was ‘Romeo and Juliet’, published in 1864.
Incidentally the photo above shows each in a different colour cover, but it may not be as simple as this. I have seen ‘Childe Harold’ in bindings of two different colours and with other differences as well, so it’s not clear exactly what else may exist.
The price they were sold at, according to Todd & Bowden (referencing the 1880 German Book Catalogue) was 3 Marks (or 1 Thaler) for each of the poems, and 2 Marks (around 0.70 Thaler) for the Shakespeare plays. As far as I can tell, this price sounds reasonable for what they are, but the individual Shakespeare plays sold in paperback for 0.1 Thaler, so they may have looked expensive in comparison.
Anyway as the series extended to only these four volumes, it seems safe to assume that they were not a success. At least one of the books though seems to have enjoyed a second life as a tourist souvenir in Rome. A range of Tauchnitz books with Italian themes or settings were produced by or for the Italian tourist trade in the 1870s and 1880s, bound in vellum and mostly extra-illustrated. ‘Childe Harold’s Pilgrimage’ was too small to be extra-illustrated with postcards, but it is now found in a variety of vellum bindings that seem to come from Italy. They’re likely to be quite a bit later than the original issue of the book. Did Tauchnitz have left over copies that they were happy to recycle in this way? Or did Italian bookbinders order new sets of printed pages for binding?
The Tauchnitz ‘Collection of British Authors’ launched in 1842 (or possibly late 1841) with ‘Pelham’ by Bulwer Lytton as volume 1 and Dickens’ ‘The Pickwick Papers’ as volumes 2 and 3. I’ve written about both of them here and I have copies of (what I believe to be) a first printing of each of them. But in both cases what I have is a hardback, privately bound, copy of a book that would originally have been issued as a paperback. Most of those first printings may have stayed as paperbacks, but if they did then they suffered the usual fate of paperbacks. It’s pretty tough for a paperback to survive over 170 years. So far as I know, no paperback first printing of volumes 1, 2 or 3 has made it through. Only copies that were taken to a bookbinder and given a sturdier binding, have survived.
It’s possible that a first printing of volume 4 has survived, but first we need to know how to recognise a first printing. For Tauchnitz Editions unfortunately, the date on the title page is of little use and there is no printing history on the back. Luckily most paperbacks are easier to date than hardbacks. From 1872 to 1934 they generally carry the true printing date at the top of the back wrapper and there are also differences in the format of the first printing wrappers that distinguish them from reprints. Before 1872 it’s more difficult, but copies can usually be dated by reference to the other books that are advertised on the wrappers. So any early paperback from 1842 should not advertise more than a handful of other titles – the series had reached volume 32 by the end of the year, and a first printing copy should not advertise any titles published much later than itself.
The Tauchnitz bibliographers, Todd & Bowden, found very few copies that came even close to meeting these conditions. An early copy of volume 1, held in the New York Public Library, lists other titles up to volume 52 and a copy of volume 8 in Paris lists titles up to volume 79. More promising are a paperback copy of volume 12, also in the Bibliotèque Nationale in Paris, advertising titles up to volume 21 and a copy of volume 31 in the Netherlands (in the Koninklijke Bibliotheek in the Hague) listing nothing later than volume 32. Both of these are likely to be first printings as volume 12 was issued out of sequence and roughly at the same time as volume 21.
Even earlier though are two copies in my collection that list only 7 titles on the back wrapper. One of these is volume 7 itself, ‘Paul Clifford’ by Bulwer Lytton, so is almost certainly a first printing. The other is volume 4, ‘Eugene Aram’, also by Lytton. Tauchnitz announced the publication of volume 4 at the end of December 1841 and didn’t announce volume 7 until nearly the end of February 1842, so it’s perhaps unlikely that the first printing of volume 4 would advertise volume 7 as having been printed. However there’s considerable doubt about exactly when the early books were published, and some evidence of announcements coming significantly ahead of actual printing, so until someone can produce an earlier copy, I still cling to the hope that my copy may be a first printing.