Posted by jojoal
Tauchnitz loved issuing celebratory volumes and had plenty of occasions to do so. The 500th volume of the series in 1860, the 1000th volume in 1869 and the 2000th in 1881 were all marked by specially commissioned volumes and by specially bound presentation copies to be offered to authors, friends and business contacts.
Then in 1887 it was time to mark the 50th anniversary of the founding of the business, with a specially published history. Much of this is taken up with a long list of the works published by the firm, making it a rather luxurious catalogue, but it also includes excerpts from authors’ letters to Tauchnitz, which was to become a feature of subsequent histories.
Volume 3000 seemed to slip by largely unnoticed, but volume 4000 in 1909 was marked by a ‘A manual of American literature’. This gave full recognition for the first time to the huge contribution from American authors to a series that for 70 years had been called ‘The Collection of British Authors’.
Then in 1912 another anniversary history to mark 75 years. The catalogue of publications has now disappeared, and more prominence is given to letters from authors, with Charles Dickens pre-eminent among them.
The milestone of the 5000th volume was reached in 1931 and celebrated with an ‘Anthology of Modern English Poetry’, but by then the business was tottering. It was sold in 1934, and lived on until the outbreak of war effectively as a sub-division of Albatross, the firm which had defeated it commercially.
So when the time came to write its centenary publication in 1937 it must have felt to some in the firm more of an obituary than a celebration. The task of writing it fell to John Holroyd-Reece, the Managing Director of Albatross, and in the end he did Tauchnitz proud, although an early draft had contained a paragraph seeming to celebrate his own role rather too much. Again the publication included a selection of letters from famous authors, including Dickens and Disraeli, this time in facsimile form, and also a range of congratulatory letters from well-known people, including the British Prime Minister, Stanley Baldwin and the Archbishop of York. Slightly oddly, it was given the title of ‘The Harvest’, perhaps suggesting that the firm was now reaping the benefits of previous efforts, and no longer sowing new seed for the future, a position uncomfortably close to the truth.
The book appeared in two different forms, one with cream paper boards, and one with gold wrappers, each with a blind-stamped Tauchnitz Centenary logo on the front. Neither version is difficult to find today. More interesting are the presentation copies prepared for authors and other friends of the firm. These are identical to the gold paperback edition, but the half-title is replaced with an individual printed page with the name of the person to whom it was presented. The copy illustrated here was presented to Janet Beith, the author of ‘No second spring’, published as volume 5157 in 1934. Other copies in public collections have the names of W.W. Jacobs, Louis Golding, H.M. Tomlinson and Helen Simpson.
Presumably copies were printed with the names of all Tauchnitz authors still alive in 1937, which would have included, amongst many others, James Joyce, Virginia Woolf, Graham Greene, Bernard Shaw, H.G. Wells, Daphne du Maurier, Aldous Huxley, P.G. Wodehouse and A.A. Milne. As Louis Golding, whose copy survives, was published only by Albatross, never by Tauchnitz itself, this suggests copies may also have been presented to all Albatross authors. In that case, copies may exist with the names of Agatha Christie, Evelyn Waugh and Ernest Hemingway, amongst others.
An intriguing question arises though from the fact that several of the Tauchnitz authors, including for instance Joyce, Wells and Huxley, had been placed on the list of banned authors, by the Nazi party, then in power in Germany. Albatross, whose editorial offices were based in Paris, continued to publish works by banned authors, but always in the Albatross series rather than in Tauchnitz, and presumably for sale only outside Germany. Interestingly the Albatross books were still being printed in Germany, just down the road from where other works by some of the same authors were being burned. But did Tauchnitz in 1937, a German-owned firm based in Leipzig, print special celebratory volumes for authors at that time banned in Germany? A copy printed for James Joyce would be an interesting find …