Death of a Salesman – The RSC in Stratford
Perhaps an unusual play to take over the main stage in Stratford, normally devoted to the works of Shakespeare at this time of year, but ‘Death of a salesman’ comes with a huge reputation as one of the best and most significant plays of the 20th century. If it’s a gamble by the RSCs Artistic Director, Gregory Doran, to put on a non-Shakespeare production, then being able to call on Anthony Sher and Harriet Walter to star in it, must reduce the risk a lot, and he has ended up with a wonderful success to justify his decision.
Anthony Sher gives a great performance as washed up salesman Willy Loman, entirely convincing as his mood swings between buoyant optimism and suicidal depression. I’ve never seen the play before so I can’t compare him against other actors, and it’s clearly a great part to get your teeth into, but I thought it was a stunning performance. Harriet Walter has a less meaty part as his wife, but was the perfect foil, having to deal with his constantly changing moods, but always supportive, understanding his character better then he does himself and entreating their sons to make allowances for him.
As always the RSC produced a great ensemble performance, making dynamic use of the thrust stage, and the swings in time and setting as well as mood were well handled. I particularly liked the transformation from a domestic scene to an outdoor one as actors rose standing still from below and then suddenly switched into action to create the criss-crossing bustle of the city streets.
Alex Hassell, having played Prince Hal to Sher’s Falstaff earlier in the year in Henry IV, produces another good performance as Biff. He seems to be the RSC’s rising star, slated to play Henry V as well in the autumn, and as with Henry, here he has to play both the older Biff and his younger self, which doesn’t look easy to carry off. There’s not the same growth and maturing that there is with Prince Hal, as Biff seems to be stuck in a pattern of petty theft. But he too achieves some kind of maturity with his realisation that he may be better off working outside, even if it means giving up on the American dream that his father and his brother Happy (well played by Sam Marks) still seem enthralled by.