Henry the Fourth Parts 1 and 2 with the RSC at Stratford

Henry IV Part I, as directed by Gregory Doran at Stratford is a riot.  The production is visually stunning, the lines are beautifully and clearly spoken, the cast is dominated by Anthony Sher as Falstaff, but is superb throughout, and it’s overall a first class theatrical experience.  Part II shares many of those same features, but created far less of an impression on me.  The comic invention that provided a balance to the fast moving action and the weighty historical themes in Part I, seemed to be dragged out interminably in Part II.  Having never seen, or even read, either play before, it seems presumptuous to criticise Shakespeare for this and it’s hard to fault the RSC production, but still that was how it felt to me.

King Henry IV Falstaff and Prince Hal

Sher’s Falstaff moves slowly and talks slowly but his comic timing is brilliant, as he comes up with more and more far-reached explanations for his cowardice and sloth.  I loved the mock trial scene in the tavern where Falstaff first acts out the king and then Prince Hal, and his vain attempts to rise from his back on the battlefield were comedy gold.  As a reveller in the tavern he was totally convincing, although the idea of him being allowed anywhere near a battlefield was absurd.  It’s hard at times to take the battle scenes seriously, when Falstaff is wandering in and out of the action, trundling a little cart behind him like a toddler, and allegedly leading a ragtag company of 150 men. 

If Falstaff dominates the stage, there are still great parts for Hotspur, Prince Hal and the King, and fine performances by Trevor White, Alex Hassell and Jasper Britton.  Hotspur is portrayed as rash and impetuous in the extreme, so that it’s not hard to imagine him a liability as a military commander, but harder to understand why King Henry would see him as a model for his own son.

Overall though I loved the first play, and wasn’t quite sure what went wrong between it and the second one.  Perhaps nothing except the curse of all sequels, that they try too hard to reprise the bits that seemed to go so well in the first.   But the tavern scenes in Part II don’t have the freshness they had in the first part, and there’s less action to fill the play out and move it on.  The waiter being frantically pulled in all directions provided some of the best moments in Part I, but by Part II he’s just dashing across the stage shouting ‘Anon’ in the search for a cheap laugh.  And the scenes in Gloucestershire where Falstaff goes to recruit soldiers and finds only cripples and simpletons just left you with an uncomfortable feeling of mocking the afflicted.  Still the play gets it together more for the end when Hal seizes the crown too soon and in quite a moving scene, has to backpedal in front of his father.  Then having finally inherited the crown, he perhaps inevitably, but chillingly, renounces Falstaff, along with his old life.

Posted on September 8, 2014, in Theatre and tagged , , , , , . Bookmark the permalink. 4 Comments.

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